À la mode in Hunters Hill

Louis Joubert

Louise Joubert, Joubert folder, Hunters Hill Museum

One of the characters who features quite regularly in this blog is Didier-Numa Joubert, a Franco-Australian merchant who made his fortune in the mid-1800s through trade of all types (legal and not-so-legal). This poem imagines a conversation between his daughter Louise, whose portrait I saw in the archives of the Hunters Hill museum, and a friend at the Joubert house in Hunters Hill. It reflects on the material trappings and lifestyle afforded certain sectors of white colonial society and how this was enjoyed at the great expense of others.

 

À la mode in Hunters Hill

Is it silk?

Incredulous look

Mais naturellement!

Hand stitched

delicate detail

embroidered yoke

ample sleeve

teasing flounce

rustling skirts

gently graze

the ankles of

la belle

Mademoiselle

Louise

 

Tortoiseshell buttons

left unfastened

reflecting amber light

tracking

mapping

tacking down

to snake around

her bourgeois breasts

showing

a rather daring

swathe

of luminescent

white

 

Beautiful dress

my dear

a stand out

in this English

colony

it’s French….

n’est-ce pas?

Mais oui!

No one sews

such sophistication

in the

antipodes!

 

A trunk

brimming

on Papa’s order

arrived

last week

in Sydney town

full of hats

and gloves

and undergarments

and the most exquisite

Parisian gowns

 

Taking in

the sumptuous vista

sun caressing

sparkling waters

crisscrossed

by the foliage

of a flourishing

flame tree

the two ladies

on the colonial verandah

slowly sip

their China

tea

 

Coconut palms

perform

a wilted waltz

in the stifling

breeze

while bent

brown backs

toil

under

the oppressive

summer

heat

 

What brings them here

these bronzed youths

from their homes

in the South Seas?

They are

the exploited workers

the unpaid builders

of Papa’s Paradise

a sandstone

Sydney suburb

founded on

trade

tenacity

luck

and plunder

and a slice of

slavery

 

© Karin Speedy 2016

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Flame tree in Hunters Hill, photo credit: Karin Speedy

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